L'ATELIER ROBERT COANE
- THE CARAMEL AWARD -

for the

WORST ART
DEAD OR ALIVE
and
Art-rageous Attacks Against Art and Artists
"A
rtistic standards were abandoned, the comfortable cult of the mediocre prevailed,
and presentation became confused with substance."

- J. D. Landis in Longing

the June 2002 CARAMEL -



Agence France-Presse
Soldiers search a canal in Strasbourg
for dumped art.

Shredded!!!


MADELEINE OF FRANCE,
QUEEN OF SCOTTS

by
Corneille de La Haye
(1500/10 - after 1574)

 

 

 


18th C. small silver boat
retrieved from the
Rhône-Rhine Canal

16th C. Belgian silver and gold chalices retrieved from the
Rhône-Rhine Canal


Starsbourg residence of Mireille Breitwieser, mother of art thief
Stephane Breitwieser.


A hoard of stolen art worth more than $1.4bn (£960m) has been destroyed - by the mother of a French art thief. Mireille Breitwieser cut up the works, including canvases by Antoine Watteau and Peter Bruegel, after the arrest of her son Stephane for stealing a bugle from a museum in Lucerne, Switzerland.

Smaller museums rely on the rumour that every picture is nailed to the wall and alarmed
Alexandra Smith, Art Loss Register French police said that Ms Breitwieser also dumped antique vases, weapons and musical instruments in the Rhine-Rhône canal.

Stephane Breitwieser, 31, accumulated a collection of 172 artefacts, including chinaware, pictures and statuettes, over seven years. Breitwieser, currently in prison, stole the works in the years after 1995, travelling across Europe to work as a restaurant waiter in different cities. With his girlfriend Catherine Kleinklauss he visited regional museums and smaller collections where security was less tight. Breitwieser appears to have stolen works from museums in France, Switzerland, the Netherlands, Germany, Austria and Belgium.

He took a 17th Century violin from the museum of musical instruments in Basel in Switzerland in 1996, and in 1999 he took Two Men by Antoine Watteau from the Museum of Montpellier, southern France. He stored all the works in his mother's house in Strasbourg, eastern France. He was eventually arrested in November 2001 after being seen stealing a bugle from a museum in Lucerne, Switzerland. When his mother heard about the arrest she dumped many of the stolen artefacts in the canal - and later destroyed the paintings, forcing some of them into her waste disposal unit at home.

Alexandra Smith, operation manager of stolen art trackers the Art Loss Register, told BBC News Online: "We've never heard of the destruction of works on this scale. "The French police are quoting a value of 1.5bn euros, and when you are dealing with 60 to 70 museum-quality pieces that would be about right."

The destroyed masterpieces included Madeleine of France, Queen of Scotland, by the 16th Century artist Corneille de La Haye and Sleeping Shepherd by François Boucher.
Mireille Breitwieser was taken into custody in Strasbourg on Tuesday, after Swiss police obtained permission to question her at her house. She told police that she destroyed the paintings out of anger at her son. Others claim she feared for her Swiss nursing license.

The disaster has exposed the inadequacy of security arrangements at many regional collections in Europe. "Smaller museums rely on the rumour that every picture is nailed to the wall and alarmed - but they're not, it simply costs too much for the smaller collections to do that," said Ms Smith.

UPDATE:
On 6 February 2003, a judge sentenced Stéphane Breitwieser to four years in prison and banished him from Switzerland for 15 years once he is released. After serving the Swiss term, he faces trial in France, where he is accused of most of his thefts.

We are gratefull to Nikolai Klein for bringing this story to our attention.

"Nor wonder how I lost my wits;
Oh! Celia, Celia, Celia shits!"
-
Jonathan Swift

"YOU HAVE THE NERVE TO DRESS UP A TURD AND CALL IT A CARAMEL"

...is the inspiration for our less than inspiring monthly award. Here we do NOT discriminate. There are no sacred cows. High and low beware!

Our CARAMEL statuette is derived from the traditional cagané figure or 'shitter' from the northeastern Spanish region of Cataluña where no manger scene can be found without one. It's attributes are far more prosaic here.

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content and do not necessarily reflect the opinions or views of the other participants in www.Atelier-RC.com or of the members of L'Atelier.

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